Tuesday, October 30, 2012

Hot 8 Brass Band – Ghost Town

Hot 8 Brass Band – Ghost Town:

Three things I dig: Marching bands, Hip Hop, and The Specials. New Orleans own Hot 8 Brass band, “purveyors of Jazz-infused, hip-hop-fired marching band music” are back once again with a cover of The Specials “Ghost Town”. This is a little known fact, but my first radio gig in college was an all Ska show. I love Two Tone and I most definitely have much love The Specials here at FMF. Any chance to infuse the aforementioned three topics and it’s a good day. Their new record The Life And Times Of… will be dropping on November 13th. This record will be in two parts, the first will showcase a party side of the band, while a second installment in the Spring of 2013 will highlight a “more reflective, emotional tribute to fallen band members and the funeral parades which centre on this music.” Looking forward to both. Definitely more to come on this band. Check out the single on soundcloud below and share if you’d like. I mean, who doesn’t like a funky marching band?


Keep Diggin’!

Filed under: Crate Diggin', Flea Market Funk, funk, Hip Hop, Instrumental, music, New Orleans, New Releases, Record Digging, records, vinyl Tagged: Cover Songs, Flea Market Funk, funk, Hip Hop, Horns, Hot 8 Brass Band, Marching Bands, music, New Orleans, New Releases, The Specials

Light In the Attic Reissues D’Angelo’s Voodoo

Light In the Attic Reissues D’Angelo’s Voodoo:

I can remember pulling a white label copy of “Devil’s Pie” for a buck at A1 and a 50 cent score on the “Brown Sugar” 12″ at a flea market close to ten years ago, but I never picked up a vinyl copy of “Voodoo.” After “Brown Sugar” came out in 1995, D’Angelo blew the eff up. The second coming of the next real Soul superstar released this follow up 5 years later. Pulling in Roots drummer Ahmir “?uestlove” Thompson and bassist Pino Pallidino for an unstoppable rhythm section, they recorded at NYC’s Ladyland Studios. A place (Electric Ladyland Studios) where Hendrix and Wonder laid down the foundation D’Angelo was picking up. Voodoo became an instant classic (debuting at number one), and the live shows were life changing experiences. After the sexually charged up “Untitled” video D’Angelo kind of fell off.
“ This album is a personal testimony about my life and my emotions. My life kinda changed overnight when Brown Sugar came out. It took me a while just to get used to that – the attention, the money, and everything that comes along with that. ”-D’Angelo
A follow up record was promised, but some twelve years later we are still waiting, and waiting, and waiting. In between that time, there has been plenty of weed, personal struggles, guest appearances on records, and even a some live dates this past year. No new record though. However, we do have Brown Sugar and Voodoo to go back to, who’s sound never gets old. It’s great to see that Light In the Attic will be re-issuing this classic LP. The sound and energy of D’Angelo and his supporting cast of players, IMHO, is one of the great moments in music from the 2000′s.
Here’s what the reissue has to offer:
-Original artwork expanded to a gatefold “tip-on” jacket

-First vinyl reissue since original release in 2000

-New liner notes by Jason King, including interviews with ?uestlove, Pino Palladino, Charlie Hunter, James Poyser, Alan Leeds, and Russ Elevado

-Limited edition first pressing includes double 180-gram wax and a period 5″×5″ press photo of D’angelo.
Pre-Order the reissue from Light In The Attic here.
Keep Diggin’!

Filed under: Flea Market Funk, funk, music, New Releases, R & B, record collecting, Record Labels, records, Reissues, soul, vinyl Tagged: D'Angelo, Flea Market Funk, funk, Light In the Attic Records, music, R & B, records, Reissue, soul, vinyl, Voodoo

25 Years Of Keeping The Faith

25 Years Of Keeping The Faith: October 30, 1987 is the anniversary of the release of Georgios Kyriacos Panayiotou's first solo album. It would go on to sell over 8 million copies in the first year of its release in the US alone, spawn six Top 5 singles (including four which hit #1, another reaching #2), would reach the top of the album charts in countries around the world, and to date has sold over 25 million copies across the planet. That's right, ladies and gentlemen, George Michael's Faith is 25 years old.

After the breakup of Wham! in 1986, speculation about what would come next from George Michael lingered in the minds of music fans. He had already released two solo singles while still with Ridgeley (Careless Whisper and A Different Corner), as well as a duet single with Aretha Franklin, and he seemed to be the most likely of the two to continue a music career.



George Michael spent a good portion of 1987 recording and producing (and playing many of the instruments on) the album on his own, using the new Synclavier 9600 Tapeless Studio digital recording system. [Rumor has it that is the ACTUAL UNIT which Michael used at Trevor Horn's studio.] The new toy not only allowed Michael freedom [heh] in the studio, but also allowed him to explore innovations such as sped-up vocals inspired by Prince's Camille, and gave his remixers access to sampling technology similar to what the Fairlight afforded The Art Of Noise.



June 1st had seen the first glimpse of the new project, in the form of lead-off single I Want Your Sex, which quickly became infamous (and more popular) due to having a censored video. Even during the era of Madonna's button pushing, the song was groundbreaking for its frankness and the pro-monogamy message of the video (something Michael may have been pressured into including during the AIDS crisis). Its synth backing track was created by accident when a MIDI unit triggered a synthesizer instead of a drum machine, and Michael liked it so much he based the song around the chaotic pattern.



Finally, Faith was released on October 30.
Faith
The third single from the album (technically -- Hard Day was released only as a promo single), it spent 15 weeks in the Top 40 including 4 weeks at #1. The top single of 1987, combined with Faith (the album) being the top album of 1987, meant Michael had duplicated a feat (top album and single) which had only previously been achieved by Simon & Garfunkel in 1970. The Faith video featured icons such as the leather jacket, jukebox, and acoustic guitar which would later be "destroyed" in Michael's Freedom 90 video. The organ at the beginning is playing Wham's Freedom.)

Father Figure
Fourth single. Two weeks at #1, 14 weeks in the Top 40. The video features either a brokenhearted taxi driver or a stalker, depending on how you chose to view the imagery.) It was originally going to be a dance number until Michael played it back minus some of the rhythm tracks and liked the effect enough to make the song a ballad. The b-side for the single was a live recording of Stevie Wonder's Love's In Need Of Love Today.

I Want Your Sex (Parts 1 & 2) [video as inexplicable blank audio at the end]
The success of I Want Your Sex as a single has already been outlined. The single track is continue here with Part II, which features expanded melodic and lyrical ideas as well as a horn section. These are presented as a single track on the original release.

One More Try
Single number five. Video. Tied for second-longest #1 single of 1988 (with Poison's Every Rose Has Its Thorn), with Steve Winwood's Roll With It beating both at 4 weeks. It spent 14 weeks in the Top 40. Triple topper, also reaching #1 on the R&B and Adult Contemporary charts. B-side was a live gospel version of the song.

Hard Day
Second single, released the same day as the album. No video filmed. Charted briefly on the Dance Club and R&B/Hip-Hop charts. Most notable for having I Want Your Sex (The Monogamy Mix) as a b-side: Rhythm 1: Lust, Rhythm 2: Brass In Love, Rhythm 3: A Last Request. This unique mix is the only version where all three part of I Want Your Sex can be found as unified song. The other b-side is the full-length Shep Pettibone Mix.

Hand To Mouth
Michael intended to release this as a single, but was discouraged from doing so.

Look At Your Hands

Monkey
Sixth single. This spent two weeks at #1 on the US Hot 100. Also reached #1 on the Dance Club chart. The only single to have extensive alternate versions released for the single. These included the Extended [by Jimmy Jam & Terry Lewis], A'Cappella [sic], Extra Beats, and 7" Edit mixes. The video featured yet another mix, largely derived from the 7" Edit mix.

Kissing A Fool
This was the seventh (!) and final single from this album, and it peaked at #5 on the Hot 100, but did hit #1 on the Adult Contemporary chart. Singles included an instrumental version. Video.

These final two tracks were available on CD only.

Hard Day (Shep Pettibone Remix) [an edit of the full-length extended mix]

A Last Request (I Want Your Sex Part 3)

Full album for those who like to listen that way.



Astoundingly, none of George Michael's singles from Faith hit #1 in the UK.



Even while the album was working the charts and singles were being released, George Michael went on a world tour. Glimpses of his tour can be seen in these videos:
I Want Your Sex

Hard Day

Everything She Wants

Monkey

After the tour and the album had died down, George Michael would finally return with Listen Without Prejudice, Vol. 1. The album would prove to be a point of dispute between him and his label, and he would not produce much new material for 6 years.

The Promise

The Promise:
Johnny works in a factory. Billy works downtown.
Terry works in a rock and roll band looking for that million dollar sound.
Got a job down in Darlington. Some nights I don't go.
Some nights I go to the drive in. Some nights I stay home.

-- Bruce Springsteen, "The Promise"

"I listened to the version of The Promise on 18 Tracks. It's not the version Springsteen recorded more than 30 years ago. This version is stripped down to almost nothing, just Springsteen and a piano. And the weirdest thing happened, something I can never remember happening before or since when I listened to a song. I felt myself crying." Joe Posnanski writes about fathers and sons, factory work, and the magic of the Boss and one of his most beautiful and haunting songs.

Some live versions:



1976 Bruce Springsteen & The E Street Band at The Palladium (NY)

1977 Bruce Springsteen & The E Street Band at Boston Music Hall

1978 Bruce Springsteen & The E Street Band at Memorial Hall (Kansas City, MO)

2009 (?) Bruce and his piano

2010 Bruce Springsteen & The E Street Band at The Carousel House (Asbury Park, NJ)

2012 Bruce Springsteen & The E Street Band at the Verizon Center (Washington, DC)

Saturday, October 27, 2012

Thank You, Monk

Thank You, Monk:


The incomparable Thelonious Sphere Monk would have been 95 years old today, and that, at least to me, is something worth celebrating. The man was a genius.
---
See more posts by Alex Balk
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It's cinema for your ears

It's cinema for your ears: Listen to a movie: For the cubicle workers of the world. Discovered via Jonah Ray during Dana Gould's most recent, and always entertaining, podcast.

[Earlier MeFi mention]

Heavy Metal Music

Heavy Metal Music: The oldest known recording of American voice has been restored and replayed for the first time in over 100 years. Dating to June 22, 1878, the recording was made for an early Edison phonograph on tin foil which had become too fragile and torn to play back. Researchers at Lawrence Berkeley National Laboratory optically scanned the foil and developed a program to replay it digitally.

The recording is evidently of a newspaper writer named Thomas Mason (who went under the pen name I.X. Peck) who purchased the phonograph from Edison and made an exposition of it in St. Louis. The recording features cornet music as well as Mason reciting nursery rhymes and laughing. Flubbing a line to Old Mother Hubbard, he also creates the first recorded blooper. Three weeks after making the recording, Mason died of sunstroke.



The oldest playable recording of any voice dates to 1860, a phonautograph of a Frenchman singing Au Clair de la Lune. Previously and Previously

Dorothy Dandridge - A Zoot Suit and other soundies

Dorothy Dandridge - A Zoot Suit and other soundies: Dorothy Dandridge - A Zoot Suit

Dorothy Dandridge - Cow Cow Boogie

Dorothy Dandridge, the Nicholas Brothers & Glenn Miller - Chattanooga Choo Choo

Hoagy Carmichael - Lazybones

A very young and very beautiful Dorothy Dandridge, exploding with talent and charisma...

For more on Dorothy Dandridge, who deserved far better, see also Dorothy Dandridge - A Life Unfulfilled and the YouTube Channel Dorothy Dandridge.



And on a side note, regarding Zoot Suits, see also The Zoot-Suit and Style Warfare and Zoot Suit Culture , the latter being from PBS's The Zoot Suit Riots

Tootleg Boy audiobook defacement

Tootleg Boy audiobook defacement: These audio files contain profanity:

The Lord of the Books of the Fifty-Five Arse-Hymens of Stone

Pride and Prejudice and 367 Pages of Balls and Young Men

Pride and Prejudice and Praise and Porridge and Presents and Pedantic Ponies and Pride and Pride and Pride and Proud and Priiide

∆, pronounced Alt-J, Mac users will get it

∆, pronounced Alt-J, Mac users will get it: Alt-J (∆) are a British art rock band who play low-key but ambitious music and have done well lately, been nominated for the Mercury Prize and broken into the UK top 20, while remaining somewhat anonymous and now they're starting to get noticed in the US. But you don't have to take my word for them being quite good, they've put their whole debut album, An Awesome Wave, up on their SoundCloud page, along with a bunch of other music, or you can check out their videos. You can also watch an entire concert in high definition and good sound quality recorded by KEXP in Seattle.

Time Warp Master Class!

Time Warp Master Class!: Released in 1999, The Rocky Interactive Horror Show was a point and click video game featuring clunky gameplay and graphics that looked dated even by the standards of the time. Reviews were middling, and the title soon fell into obscurity. But while nobody would ever call the game a classic, it did feature a few wonderfully weird treats guaranteed to drive any Rocky Horror fan in-say-yay-yay-yane...

As this collection of clips from the game shows, onscreen narration was provided by none other than classic fright flick star Christopher Lee. (His dramatic recitation of the Time Warp lyrics will surely be the highlight of your Halloween season.) There are also a few clips of Rocky Horror creator Richard O'Brien performing spirited, acoustic versions of hits like Sweet Transvestite (in full drag, of course,) Over at the Frankenstein Place, Super Heroes, Science Fiction Double Feature, and, inevitably, The Time Warp. (And if you can never quite remember if the pelvic thrusts come before or after the jump to the left, don't worry. O'Brien is on hand with the Time Warp Master Class!)

. .. and now, it's time to scare you half to death.

. .. and now, it's time to scare you half to death.: Nightfall was a popular and controversial horror and sci-fi series that aired on CBC Radio between 1980 and 1983.

Producer and poet Bill Howell had recently wrapped up cult favorite "Johnny Chase, Secret Agent of Space" when he approached newly-hired Radio Drama head Susan Douglas Rubes with the concept for a program to push the staid boundaries of Canadian radio.



They pushed: episodes featured the sound of a man tearing out his heart and a graphic aural portrait of a serial child murderer. The gore - and genuinely frightening episodes like "The Porch Light" - resulted in hundreds of complaints during the show's 100-episode run, with some affiliate stations dropping it as a result.



In addition to many original productions, Nightfall included adaptions of stories by Robert Aickman* and other important but neglected writers. Some highlights:



Safely in the Arms of Jesus

All-Nighter

Angel of Death

Baby Doll

Brides of Olivera

The Body Snatchers

Child's Play



Sources for episodes: My Old Radio, archive.org, Nightfall Project



Wikipedia has an episode list and production details.



* Recommended enthusiastically on the Blue recently.